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An interview with Brooke Ellison An A&E interview with Brooke Ellison on the set of "The Brooke Ellison Story."
This film is based on your heartwarming autobiographical best-seller, Miracles Happen: One Mother, One Daughter, One Journey. Tell us about how the whole idea of turning the story into a film came about.
And actually in tandem, I was writing a book about my life. So they're kind of being conducted in parallel, both the beginnings of a script and then my book. So that's really how it started. That was four years ago. So, it's been sort of a work in progress since then.
Did you work closely with the screenwriter, Camille Thomasson?
She's wonderful. She's really great. And it's great to have somebody who is not only dedicated to people, but to my family in particular working on this. You know, very sensitive and thoughtful and sweet. So it's been quite a blessing as far as that goes.
You wrote the book with your mom. What was it like collaborating with her on this project?
So, what better way to do that than to use the relationship that my mother and I have as a vehicle to demonstrate that? It's very emblematic of how people need to rely on each other. That things don't get done in isolation. People are very much social creatures. And, you know, my mother and I have a unique but not so unique relationship. You need other people in your life to make things happen. So that's why we decided to do it the way we did it.
You seem to have deliberately set out to not focus on the negative.
What does it feel like to watch your life story being filmed?
Sometimes it’s a bit emotional. Sometimes it’s hard to see my life as it may have been in the past. The decisions that I made that sometimes I regret. Sometimes I feel a little bit of pain that goes along with that, but if I focus on the larger meaning, the larger purpose that’s so much a part of this, then, you know, it’s great. And by all means, it’s bizarre to see one’s own life carried out by other people, having other people say what you would say or relive aspects of your life.
You know, memories like that very typically just stay in one’s own head. To see them kind of being broadcast for other people to see, it’s very strange. But at the same time, it’s not very often that something like this comes along. So, it’s flattering, and exciting and hopefully helpful to other people. That’s really what’s most important to me.
You know, I don’t really view this as an end in itself. I think that there’s hopefully something that other people can engage in it, and hopefully give me other opportunities to help people in a more important way.
Did you meet both of the actresses who play your character in the film?
I was giving a speech that day, so she came out to hear me speak and just to spend a little time together, which was really nice. And we have kind of been correspondents ever since by way of telephone or e-mail. So that was great. She’s really sweet, very down-to-earth.
And then, when we got to New Orleans last week, I met the younger version of Brooke and her family, and they were just wonderful, really, really great. So, we’ve been so very fortunate and so very happy with everybody who is a part of this. It seems to me that everybody’s very, very dedicated to it and feels some degree of passion about it. So that’s wonderful.
Your family has maintained a strong bond throughout this experience. Why do you think that your family has succeeded when so many others would have failed?
I fully acknowledge that I'm very fortunate, that my family has been able to really come together, despite the circumstances. I think my situation may have brought my family even closer together, because when you're dedicated to a common goal, I think that there's really no time for people going separate ways.
It's been a very important part of my family's life to just offer support to one another and make sure that nobody kind of falls. You know, we're standing side by side, or sitting side by side, as the case may be. I think we all know that there's a responsibility that we all have to one another, to each other's successes, whatever it may be, and there's a common dedication to, to each other. I think that's probably where it comes from.
What have you been studying in college?
So now I'm kind of taking that a little bit further to political psychology and focusing mostly on how people or groups or societies learn to remove themselves from the decision-making process, from exercising their ability to make change in their lives or in their communities or in what have you. People can sometimes feel so discouraged by the circumstances that they find themselves in that they don't feel the desire anymore to try to evoke some kind of change in the positive direction. So, that's really what I want to look at, kind of in the political or societal realm.
What do you hope people will take away from the film?
And how certain parts of our society kind of fosters that situation, that there are barriers to just daily aspects of life that keep people immobile in one way or another, whether it's physical, emotional, anything like that. So, I hope people can be a little bit more appreciative of difficulties at large. Kind of using myself as a vehicle to get to that point.
And secondly, hopefully, if they are experiencing difficulties themselves or any kind of adversity that there's some kind of encouragement that can be brought about.
Did you give Christopher Reeve any advice in how you wanted him to tell this story?
Do you hope that this film will affect the way in which policies are made, regarding people who have long-term disabilities?
You know, what goes unseen often goes unaddressed unfortunately. So, hopefully by my story being shown, some of those difficulties or challenges will be a little bit more highlighted, and people can say, well you know, this need is not going addressed. And it's a big need.
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